Tom and Jordy have been living with their gran since the day their mother, Loretta, left them on her doorstep and disappeared. Now Loretta's returned, and she wants her boys back. Tom and Jordy hit the road with Loretta in her beat-up car. The family of three journeys across the country, squabbling, bonding, searching and reconnecting. But Loretta isn't mother material. She's broke, unreliable, lost. And there's something else that's not quite right with this reunion. They reach the west coast and take refuge in a beachside caravan park. Their neighbour, a surly old man, warns the kids to stay away. But when Loretta disappears again the boys have no choice but to ask the old man for help, and now they face new threats and new fears. This beautifully written and gripping debut is as moving as it is frightening, and as heartbreaking as it is tender.
Blake is gone. He sacrificed himself to save Winter, leaving her alone, unprotected...hunted. An ancient enemy is rising, but Winter is no longer the innocent girl who was fated to die at Pilgrim's Lament. She will not wait to be saved. She will do what she must to survive, even accept an unsavoury alliance with those who destroyed her love. In the gathering darkness, the enemy of an enemy is not always a friend, and Winter must find the strength to stand alone and fight for the one she loves. For she is the key to unlocking the secrets beyond the veil of shadows. And she is Blake's only hope.
Release Date: May 2012
Two children are brought to a wild garden on the shores of Sydney Harbour to shelter from the Second World War. The boy's mother has died in the Blitz. The girl is the daughter of a Sydney woman and a Communist executed in a Greek prison. In wartime Australia, these two children form an extraordinary bond as they negotiate the dangers of life as strangers abandoned on the far side of the world.
With the tenderness and rigour of an old, wise novelist, Patrick White explores the world of these children, the city of his childhood and the experience of war.
The Hanging Garden ends as the news reaches Sydney of victory in Europe, and the children face their inevitable separation.
White put the novel aside at this point and how he planned to finish the work remains a mystery. But at his death in 1990 he left behind a masterpiece in the making, which is published here for the first time.
This is a story of right and wrong, and how sometimes they look the same ...
1926. Tom Sherbourne is a young lighthouse keeper on a remote island off Western Australia. The only inhabitants of Janus Rock, he and his wife Isabel live a quiet life, cocooned from the rest of the world.
Then one April morning a boat washes ashore carrying a dead man and a crying infant - and the path of the couple's lives hits an unthinkable crossroads.
Only years later do they discover the devastating consequences of the decision they make that day - as the baby's real story unfolds ...
When Catherine's lover dies suddenly, she has no one to turn to - their affair had been disguised from their colleagues and his family - except her work. A middle-aged curator in a London museum, Catherine is given a very particular project by the perceptive head of her department: a box of intricate clockwork parts that appear to be the remains of a nineteenth century automaton - a beautifully made mechanical bird. When she discovers that the box also contains the diary of the man who commissioned the machine, she is partially rescued from one obsession by another - who were Henry Brandling and the mysterious, visionary clockmaker he hired to make a gift for his absent son? And what was the end result that now sits in pieces in her studio? The Chemistry of Tears is both wildly entertaining and deeply moving, a portrait of love and loss that is simultaneously delicate and anarchic. At its heart is an image only the masterful Peter Carey could breath such life into - an object made of equal parts magic, art and science, a delight that contains the seeds of our age's downfall.
Author Biography: Peter Carey is the author of eleven novels (including one for children), three volumes of short stories, and two books on travel. Amongst other prizes, Carey has won the Booker Prize twice (for Oscar and Lucinda and True History of the Kelly Gang), the Commonwealth Writers' Prize twice (for Jack Maggs and True History of the Kelly Gang), and the Miles Franklin Literary Award three times (for Bliss, Oscar and Lucinda and Jack Maggs).
Melbourne, 1959. An 11-year-old boy witnesses a murder as he spies through the window of a strange house. God, whom he no longer counts as a friend, obviously has a pretty screwed-up sense of humour: just one year before, the boy had looked on helplessly as his twin brother, Tom, suffered a violent death. Now, having been seen by the angry murderer, he is a kid on the run. With only a shady grandfather, a professional standover man and an incongruous local couple as adult mentors, he takes refuge in the dark drains and grimy tunnels beneath the city, transforming himself into a series of superheroes and creating a rather unreliable map to plot out places where he is unlikely to cross paths with the bogeyman. A bold, captivating and outrageously funny novel about a boy who refuses to give in and the numerous shifty, dodgy and downright malicious bastards he has to contend with on his grand adventure of loss and discovery, The Cartographer is an astounding, fresh and unforgettably poignant novel you'd be a mug to miss!
'He goes down the stairs, singing Johnny Cash. It's a song about a man who's fallen real low, but he's not low, he's forty-three years old today, there's still time. You never know what is waiting, you just never know. This morning he can hope. And this is the thing he doesn't ever talk about: He wants to be a father, now, not later, he doesn't want to waste one more minute of his life.' David Quinn's dream of family has for years eluded him. Surely what he wants is simple? It's only what other men have, but there's no woman in his life, and now that he's living on a remote island in the Atlantic, do his hopes still stand a chance? It's summer on the Irish island of Inishmore, and the tourists are arriving. They're coming for the wild beauty and the five thousand years of history, the Celtic legends and the burial sites of saints. They're coming for the drink and the sex and the craic. Seventeen-year-old Esther Bradley has come from Fremantle, on the west coast of Australia. On harsh Inishmore, where people have always struggled to survive, she is battling the landscape of her own mind. David Quinn is reluctant to catch Esther when she tumbles dangerously into his life, but happiness is about to burst upon him, and every simple thing he's wanted will soon be close enough to touch. But is anything ever really simple any more? Set among the ancient stories of the haunting Aran Islands, reaching to London in the 1980s and contemporary Australia, this is an unforgettable love story about life's wounds to the spirit and flesh, and the hope we all have for healing, for one more lucky roll of the dice.
Author Biography: Deborah Robertson's first book, Proudflesh, won the Steele Rudd Award for the best Australian short story collection, and her stories have been widely published at home and abroad. Her first novel, Careless, was shortlisted for the Miles Franklin Award in 2007.
On the outskirts of an Australian country town in the 1950s, a lonely farmer trains his binoculars on a family of kookaburras that roost in a tree near his house. Harry observes the kookaburras through a year of feast, famine, birth, death, war, romance and song. As Harry watches the birds, his next door neighbour has her own set of binoculars trained on him. Ardent, hard-working Betty has escaped to the country with her two fatherless children. Betty is pleased that her son, Michael, wants to spend time with the gentle farmer next door. But when Harry decides to teach Michael about the opposite sex, perilous boundaries are crossed. Mateship with Birds is a novel about young lust and mature love. It is a hymn to the rhythm of country life - to vicious birds, virginal cows, adored dogs and ill-used sheep. On one small farm in a vast, ancient landscape, a collection of misfits question the nature of what a family can be.
Author Biography: Carrie Tiffany was born in West Yorkshire and grew up in Western Australia. She spent her early twenties working as a park ranger in the Red Centre and now lives in Melbourne, where she works as an agricultural journalist. Her first novel, Everyman's Rules for Scientific Living (2005) was shortlisted for numerous awards including the Orange Prize, the Miles Franklin Literary Award, the Guardian First Book Award and the Commonwealth Writer's Prize, and won the Dobbie Award for Best First Book (2006) and the 2006 Western Australian Premier's Award for Fiction. Mateship with Birds is her second novel.
Abby runs her own agency, providing beautiful girls for promotional events. She needs a new website and when she calls in the web contractors, none other than the gorgeous, sexy, young Marcus turns up. Abby had met Marcus at a party a few weeks earlier and they had an amazing one-night stand. Abby is not unhappy to see him again. He is rather divine, after all. It's just that she's 33 and he's 22, so how can she ever expect anything to come of this relationship? But Marcus is determined and sets out to prove to Abby that he is wise beyond his years and knows what he wants. Abby is not so sure and when she escapes to Italy and meets someone else, she must decide whether to follow her head or her heart.
Author Biography: Zoe Foster is the author of Air Kisses and Playing the Field.
I'm Aboriginal. I'm just not the Aboriginal person a lot of people want or expect me to be. What does it mean to be Aboriginal? Why is Australia so obsessed with notions of identity? Anita Heiss, successful author and passionate campaigner for Aboriginal literacy, was born a member of the Wiradjuri nation of central New South Wales, but was raised in the suburbs of Sydney and educated at the local Catholic school. She is Aboriginal - however, this does not mean she likes to go barefoot and, please, don't ask her to camp in the desert. After years of stereotyping Aboriginal Australians as either settlement dwellers or rioters in Redfern, the Australian media have discovered a new crime to charge them with: being too 'fair-skinned' to be an Australian Aboriginal. Such accusations led to Anita's involvement in one of the most important and sensational Australian legal decisions of the 21st-century when she joined others in charging a newspaper columnist with breaching the Racial Discrimination Act. He was found guilty, and the repercussions continue. In this deeply personal memoir, told in her distinctive, wry style, Anita Heiss gives a first-hand account of her experiences as a woman with an Aboriginal mother and Austrian father, and explains the development of her activist consciousness. Read her story and ask: what does it take for someone to be black enough for you?
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