Colour is where it's all happening in photography today, and New York City is colour photography's greatest subject. "New York in Colour" presents the best colour photography of New York over the last century and celebrates one of the world's most visually vibrant cities. From such iconic landmarks as Times Square, Central Park, and Coney Island to neighbourhoods and locales unknown even to many New Yorkers, colour photography provides a new perspective on the city. More than anything else, though, it is New York's famous energy, anarchy, and diversity as observed on the city's streets and in its public spaces that have inspired many of the photographers in this collection. "New York in Colour" shows the city as an ever-changing visual collage, 'a beautiful catastrophe,' as the Swiss architect Le Corbusier famously described it. Organized in thematic sections that capture the vibrancy and poetry of the changing streetscape - such as the skyline, the teeming streets, the constant motion, the nerve centres of activity, the famous landmarks, the water's edge - "New York in Colour" is destined to be a classic photographic survey of the world's most exciting city.

Author Biography: Bob Shamis is a consultant, independent curator, and photographer. As an independent curator he has organized photography exhibitions for galleries and museums, including the National Gallery of Canada. From 1998 to 2006 he was the Curator of Prints and Photographs at the Museum of the City of New York where he organized more than a dozen exhibitions. A fine art photographer, his work has been shown in one-person and group exhibitions in the United States and Europe is represented in the permanent collections of the Bibliotheque Nationale, Paris; the Brooklyn Museum; the Museum Ludwig, Cologne; the Museum of Fine Arts, Houston; and the San Francisco Museum of Modern Art.                                            

In "Chicks with Guns", Lindsay McCrum has created a cultural portrait of women gun owners in America through photographs that are both beautiful and in a sense unexpected. The book examines issues of self-image and gender through the visual conventions of portraiture and fashion, but the guns are presented here not as superimposed props but as the very personal lifestyle accessories of the subjects portrayed. And it defies stereotypes often associated with aspects of the popular culture of both guns and women. Like the 15-20 million women gun owners in this country, the women we meet in "Chicks with Guns" ( their portraits are accompanied by their own words), reside in all regions of the country, come from all levels of society, and participate seriously in diverse shooting activities. The women here are sportswomen, hunters, and competition shooters. Some use guns on their jobs and some for self-defense. They may not all be classically beautiful, but in these photographs they all look beautiful, exuding honesty, confidence, poise, power and pride. They are real women with real guns that play a part in their lives. By focusing her camera respectfully on this particular aspect of the American scene, gun-wielding women and girls, Lindsay McCrum sheds new light on who we are in America today. Lindsay McCrum is a fine art photographer residing in New York City and California. She received her undergraduate degree from Yale University and her Masters of Fine Arts from the San Francisco Art Institute. Trained as a painter in oils, Ms. McCrum switched exclusively to portrait photography in 2003. Her work has been exhibited in galleries in the U.S. and Europe.                                  

Lonely Planet's selection of the world's most spectacular journeys in a lush hardback edition. Expert content with stunning images, practical planning tips and inspiring background information. Thematic coverage including famous literary journeys, great walks, classic rail journeys and more.

Review: "Great Journeys" will have even the most dedicated armchair travelers scrambling to get out on the road. USA Today                                                       

       Mottled surfaces and frayed corners anchor us firmly in the rough and tumble of the creative process. Designed to be disposable, every annotation and mis-step is a part of cultural and artistic history. We sense a depth so lacking in today's digital manipulation. Page by page, readers witness the unfolding of Bisang's vision. Featuring such stars as Naomi Campbell and Linda Evangelista, this collection may just become a cult classic.                                  

Firsthand accounts and spectacular photographs combine to form a fascinating portrait of the endangered Tibetan people, their plateau, and their cultural landscape. Known as the "water tower of Asia," the Tibetan Plateau is heating up twice as fast as the global average. These rapidly melting glaciers-along with recent unprecedented development on the plateau-are quickly changing the lives of the deeply devotional nomads, monks, and farmers who have lived in this area for centuries.<br>Photographer Phil Borges uses individual stories and portraits to illustrate how dramatic development, climate change, and the deep devotion of the Tibetan people are interacting to transform Tibetan culture. The portraits of the land and the people bring a powerful visual component as the reader meets and learns about Tibet firsthand through these storytellers. <br>

Review: "Phil Borges' images are some of the finest portraits I have ever seen, and like those of Edward C. Curtis, they are also precious, documenting a vanishing way of life. Look, care and be reassured by the beauty of the human spirit." Ann Curry, "NBC News

Photographer Frederic Chaubin reveals 90 buildings sited in fourteen former Soviet Republics which express what could be considered as the fourth age of Soviet architecture. They reveal an unexpected rebirth of imagination, an unknown burgeoning that took place from 1970 until 1990. Contrary to the twenties and thirties, no "school" or main trend emerges here. These buildings represent a chaotic impulse brought about by a decaying system. Their diversity announces the end of Soviet Union. Taking advantage of the collapsing monolithic structure, the holes of the widening net, architects revisited all the chronological periods and styles, going back to the roots or freely innovating. Some of the daring ones completed projects that the Constructivists would have dreamt of (Druzhba sanatorium), others expressed their imagination in an expressionist way (Tbilisi wedding palace). A summer camp, inspired by sketches of a prototype lunar base, lays claim to its suprematist influence (Promethee). Then comes the speaking architecture widespread in the last years of the USSR: a crematorium adorned with concrete flames (Kiev crematorium), a technological institute with a flying saucer crashed on the roof (Kiev institute), a political center watching you like a Big Brother (Kaliningrad House of Soviet). This puzzle of styles testifies to all the ideological dreams of the period, from the obsession with the cosmos to the rebirth of privacy and it also outlines the geography of the USSR, showing how local influences made their exotic twists before bringing the country to its end.

Review: "...an eye-opening experience for those who assumed that Soviet architecture died with the rise of Stalin." -The New York Times."

Author Biography: Frederic Chaubin was born in Phnom Penh in 1959. For the last fifteen years, he has been editor-in-chief of the French lifestyle magazine Citizen K. Since 2000 he has regularly featured his photographic works combining architecture and travel. The CCCP collection research was carried out from 2003 to 2010 in an intuitive process.                                            

Mottled surfaces and frayed corners anchor us firmly in the rough and tumble of the creative process. Designed to be disposable, every annotation and mis-step is a part of cultural and artistic history. We sense a depth so lacking in today's digital manipulation. Page by page, readers witness the unfolding of Bisang's vision. Featuring such stars as Naomi Campbell and Linda Evangelista, this collection may just become a cult classic.                                  

Probably the best way to celebrate the 15th anniversary is to publish the first book on Sculpture by the Sea. Featuring a selection of images from every Sculpture by the Sea exhibition over the last 15 years in Australia and Denmark the book includes essays by leading Australian art critic John McDonald on the history of the exhibition; Dr. Michael Hill of the National Art School on sculpture outdoors from a historical perspective; a behind the scenes look at what goes into making each exhibition; and the ideas behind the exhibition and how it all began by David Handley.

In "Chicks with Guns", Lindsay McCrum has created a cultural portrait of women gun owners in America through photographs that are both beautiful and in a sense unexpected. The book examines issues of self-image and gender through the visual conventions of portraiture and fashion, but the guns are presented here not as superimposed props but as the very personal lifestyle accessories of the subjects portrayed. And it defies stereotypes often associated with aspects of the popular culture of both guns and women. Like the 15-20 million women gun owners in this country, the women we meet in "Chicks with Guns" ( their portraits are accompanied by their own words), reside in all regions of the country, come from all levels of society, and participate seriously in diverse shooting activities. The women here are sportswomen, hunters, and competition shooters. Some use guns on their jobs and some for self-defense. They may not all be classically beautiful, but in these photographs they all look beautiful, exuding honesty, confidence, poise, power and pride. They are real women with real guns that play a part in their lives. By focusing her camera respectfully on this particular aspect of the American scene, gun-wielding women and girls, Lindsay McCrum sheds new light on who we are in America today. Lindsay McCrum is a fine art photographer residing in New York City and California. She received her undergraduate degree from Yale University and her Masters of Fine Arts from the San Francisco Art Institute. Trained as a painter in oils, Ms. McCrum switched exclusively to portrait photography in 2003. Her work has been exhibited in galleries in the U.S. and Europe.

Publishing the results of the most recent annual World Press Photo Contest, this exceptional book contains the very best press photographs from the year 2010 pictures submitted by photojournalists, picture agencies, newspapers and magazines throughout the world. Universally recognised as the definitive competition for photographic reporting, it has been described by Michael Rand as the international photographic contest. Selected from thousands of images, these prizewinning photos capture the most powerful, moving and sometimes disturbing images of the year.