'I can imagine you at forty,' she said, with malice in her voice. 'I can picture it right now.' He smiled without opening his eyes. 'Go on then.' 15th July 1988. Emma and Dexter meet for the first time on the night of their graduation. Tomorrow they must go their separate ways. So where will they be on this one day next year? And the year after that? And every year that follows? Twenty years, two people, ONE DAY.

Absorbed in her own failings, Clara Purdy crashes her life into a sharp left turn, taking the young family in the other car along with her. When bruises on the mother, Lorraine, prove to be late-stage cancer, Clara - against all habit and comfort - moves the three children and their terrible grandmother into her own house.
We know what is good, but we don't do it. In Good to a Fault, Clara decides to give it a try, and then has to cope with the consequences: exhaustion, fury, hilarity, and unexpected love. But she must question her own motives. Is she acting out of true goodness, or out of guilt? Most shamefully, has she taken over simply because she wants the baby for her own?
What do we owe in this life, and what do we deserve? This compassionate, funny, and fiercely intelligent novel looks at life and death through grocery-store reading glasses: being good, being at fault, and finding some balance on the precipice.

Nanny Piggins, the world's most glamorous flying pig, runs away from the circus and goes to live with the Greens as their nanny. The Green children, Derrick, Samantha and Michael, fall in love with her instantly. Who could not fall in love with a Nanny whose only job qualifications are her astonishing ability to be fired out of a cannon and her amazing ability to make chocolate cake, sometimes both at the same time?
They then have some wonderful adventures together. I won't spoil them for you by listing them all but they do include catching a serial doorknob thief, hiding a 10-foot dancing bear in the basement and being lost at sea en route to China.

Sookie Stackhouse is a small-time cocktail waitress in small-town Louisiana. She's quiet, keeps to herself and doesn't get out much - not because she's not pretty - she's a very cute bubbly blonde - or not interested in a social life. She really is...but Sookie's got a bit of a disability. She can read minds. And that doesn't make her too dateable. And then along comes Bill: he's tall, he's dark and he's handsome - and Sookie can't 'hear' a word he's thinking. He's exactly the type of guy she's been waiting all her life for. But Bill has a disability of his own: he's fussy about his food, he doesn't like suntans and he's never around during the day... Yep, Bill's a vampire. Worse than that, he hangs with a seriously creepy crowd, with a reputation for trouble - of the murderous kind. And then one of Sookie's colleagues at the bar is killed and it's beginning to look like Sookie might be the next victim...

Strangers did not, as a rule, find their way to Chez Dom, a small, rundown Tunisian cafe on Paris' distant fringes. Run by the widow Houria and her young niece, Sabiha, the cafe offers a home away from home for the North African immigrant workers working at the great abattoirs of Vaugiraud, who, like them, had grown used to the smell of blood in the air. But when one day a lost Australian tourist, John Patterner, seeks shelter in the cafe from a sudden Parisian rainstorm, the quiet simplicities of their lives are changed forever.
John is like no-one Sabiha has met before - his calm grey eyes promise her a future she was not yet even aware she wanted. Theirs becomes a contented but unlikely marriage - a marriage of two cultures lived in a third - and yet because they are essentially foreigners to each other, their love story sets in train an irrevocable course of tragic events.
Years later, living a small, quiet life in suburban Melbourne, what happened at Vaugiraud seems like a distant, troubling dream to Sabiha and John, who confides the story behind their seemingly ordinary lives to Ken, an ageing, melancholy writer. It is a story about home and family, human frailties and passions, raising questions of morals and purpose - questions have no simple answer.